Drawing has always been both a playground and a space of expression for me. From an early age, it became an instinctive way to react to the world, to observe it, question it, and sometimes disrupt it. Drawing is how I speak when words become too polished or too safe.

Today, I mainly work on a digital tablet, developing an universe populated with animated toons, distorted doodles, and characters that seem to smile while saying uncomfortable things. My illustrations move between apparent naivety and sharper, more acidic messages. Sometimes engaged, sometimes simply absurd, they distort reality by exaggerating, caricaturing, and compressing it to reveal the tensions, contradictions, and excesses of our society.

My work offers a direct and immediate reading of the world around us: politics, social behavior, power, consumption, and norms. I enjoy playing with the visual codes of cartoons and popular culture to address serious subjects without ever being moralistic. Being politically incorrect is not a provocation for its own sake, but a tool to spark dialogue, trigger reactions, and get people talking.

I draw on all kinds of surfaces. Paper, canvas, walls, and banknotes become full-fledged spaces for expression. Each surface brings its own rules, constraints, and energy, directly influencing the message. Intervening on a wall or on everyday objects is also a way to question value, context, and the place of images in public space.

This is my official website, where you can discover the projects and actions I carry out, sometimes near you, sometimes further away, in support of environmental causes, against war, and around ideas that resonate with my work.

Few people truly know who I am, and that suits me just fine. Anonymity gives me the freedom to focus on what matters most: drawing and what it has to say. My approach is driven by the pleasure of the gesture and the sincerity of the line. Whether digital or physical, each drawing is a statement, a frozen moment, a spontaneous reaction.

My work, on walls as well as on other surfaces, aims above all to make people smile, start conversations, and raise questions, without imposing answers.

Walls speak.